Cast (missing Cindy Hartog), Director and Stage Manager – "Moonlight and Magnolias"

Just in case you missed the excellent article in “The Prompter” – a little background information for “Moonlight and Magnolias”:

From its inception, the film version of Margaret Mitchell’s epic Civil War novel, “Gone With The Wind,” was a monumental undertaking – the biggest, most expensive production Hollywood had ever seen. But filming had hardly begun in the winter of 1939 when producer David O. Selznick suddenly fired the director, George Cukor, and shut production down. It seemed that Selznick was appalled at the initial scenes Cukor had shot. Those closest to the production blamed not the director but the script he was working with, which had been largely crafted (and repeatedly recrafted) by Selznick himself. A hyper-driven, insufferable micro-manager, Selznick meddled in every aspect of production, from the details of the costumes to the art direction and especially the screenplay, firing numerous screenwriters who could not come up with an adapation to his satisfaction, and often rewriting their work himself. (One of the writers he fired was F. Scott Fitzgerald, whose fragile confidence was so damaged by working with Selznick that he afterward entered a downward spiral of drinking and depression.)

Selznick replaced Cukor with Victor Fleming, who was in the middle of directing “The Wizard of Oz”; it was Fleming who had the nerve to tell Selznick that his script was no good (nobody had ever said that to the Boss before), which so surprised and rattled the producer that he called in his old friend Ben Hecht to do an emergency rewrite. Known sardonically as the “Shakespeare of Hollywood,” ex-newspaperman / prolific screenwriter Hecht (“The Front Page”) was working on a Marx Brothers film when he was suddenly called away: At dawn on Sunday, February 20, 1939, David Selznick and director Victor Fleming woke up Hecht to inform him he was on loan from MGM and they spirited him away to the studio to work on Gone with the Wind. It was costing Selznick $50,000 each day the film was on hold waiting for a final screenplay rewrite, and there was no time to waste. The episode that ensued behind closed doors is the basis for Ron Hutchinson’s uproarious comedy “Moonlight and Magnolias,” which opens WCT’s new season in September.

An engaging anecdotal account is described in an article in Atlantic Monthly, “The Making of Gone With The Wind,” by Gavin Lambert (March 1973)*, and by the writer himself in “Ben Hecht: A Biography,” quoted here: “[Hecht] said he hadn’t read the novel but Selznick and director Fleming could not wait for him to read it. They would act out scenes based on Sidney Howard’s original script which needed to be rewritten in a hurry. Hecht wrote, ‘After each scene had been performed and discussed, I sat down at the typewriter and wrote it out. Selznick and Fleming, eager to continue with their acting, kept hurrying me. We worked in this fashion for seven days, putting in eighteen to twenty hours a day. Selznick refused to let us eat lunch, arguing that food would slow us up. He provided bananas and salted peanuts….’” For Irish playwright Hutchinson (who is himself a successful Hollywood screenwriter) the comic potential in such an arrangement was too much to pass up, as he said in an interview (Ron Hutchinson, A Celebration by David G. Anderson): “…it struck me, wow—this is classical farce. Can you imagine? All the elements are there. Three high-powered individuals lock themselves in a room existing on peanuts and bananas, and they are ever mindful that the clock is ticking, in a total pressure cooker situation.”

Selznick’s obsession with minute production details also resonated with Hutchinson’s experience: “The people in the industry are way too worried about the costuming, scenery, casting, and staging. They will have all this in place and then realize, hey—we have to do something with the script. This mess is total garbage. Unfortunately, the script has become a complete after-thought, and there are millions of dollars at stake.” Nevertheless, “Moonlight and Magnolias,” he admits, “was really more of a celebration to correct the image of film’s golden age writers, directors, and producers than an indictment of Hollywood…. Selznick had everything on the line: his fortune, reputation, and his marriage.” At the end of that week in 1939, Hecht emerged from the pressure cooker, took his hefty writing fee, gathered what strength he had and ran for a train to take him home to Chicago. He refused to take credit for the massive fourhour screenplay; credit eventually went to Sidney Howard, along with an Academy Award. The episode seemed to be something he wanted to forget. But what happened in Selznick’s office is, in Hutchinson’s imagination, an hilarious, thought-provoking Hollywood tale of men fighting themselves (and each other) not just for survival but for a chance at immortality. As the playwright says: “Is there an abundance of crazy, driven, slightly off kilter people out here? Yes, and they all want to leave their indelible imprint on the precious celluloid.”

“Moonlight and Magnolias”
by Ron Hutchinson
directed by Jessica Denes

Opens Friday, September 16 at 8:00 PM

Westport Community Theatre opens the 2011 / 2012 season with a madcap comedy, “Moonlight and Magnolias” by Ron Hutchinson, directed by Jessica Denes. It’s 1939 Hollywood, and legendary movie producer David O. Selznick has shut down production of the biggest and most expensive movie of his career, “Gone With the Wind.” In desperation, he brings playwright Ben Hecht and director Victor Fleming in to save the script… Think locked room… script rewrite… haven’t read the book… Scarlett… Rhett… bananas… and the result is a fast-paced, slapstick farce that keeps audiences laughing – and guessing – until the end.

Starring four of the finest actors in Fairfield County – John Bachelder as director Victor Fleming, Bob Fillipowich as producer David O. Selznick, Cindy Hartog as the erstwhile secretary Miss Poppenghul, and Rick Waln as writer Ben Hecht – the play runs September 16-October 2, Fridays and Saturdays at 8:00 pm, Sundays at 2:00 pm, and Thursday, September 22 at 8:00 pm. Westport Community Theatre at Westport Town Hall, 110 Myrtle Avenue, Westport. Tickets are $18 – $20; for reservations and information go to (203) 226-1983 or go to www.westportcommunitytheatre.com  for directions. Seniors discount of $2, groups of 10 or more enjoy a $2 per ticket discount, and there is a special “Student Rush” discount 15 minutes prior to performances for students of all ages with a valid student identification card.

(left to right) Bob Filipowich (Fairfield) as producer David O. Selznick, Rick Waln (Bedford Corners) as playwright Ben Hecht and John Bachelder (Woodbridge) as director Victor Fleming in Westport Community Theatre’s production of “Moonlight and Magnolias“ – September 16 – October 2, 2011.

Cast, director and stage manager of "Moonlight and Magnolias"

A little more about our wonderful cast, director and stage manager of “Moonlight and Magnolias”:

John Bachelder – “Victor Fleming”
John is very happy to be back at WCT with this great cast and crew. Other Westport productions include:  Joe Cantwell in “The Best Man,” Col. Jessup in “A Few Good Men” and Sherlock Holmes in “Sherlock’s Last Case.” Other theater roles include: Mr. Lockhart in “The Seafarer,”  Teach in “American Buffalo.” Jake in “Jake’s Women”  and Allen in “Play it again Sam.”  John can also be seen in the movies, in “Greenmail” with Stephen Baldwin and Tom Skerritt, and “Benefit of the Doubt” with Donald Sutherland and Amy Irving. His favorite productions remain his two sons, Philip and Mickey, co-produced with his wife, Marilyn.

Bob Filipowich – “David O. Selznik”
Bob has a very vague memory of watching the burning of Atlanta while dressed in his pajamas, in the back of his parents Country Squire at a drive-in movie theater on Cape Cod many summers ago. Who knew he’d be reenacting scenes from this epic movie years later on the WCT stage? He is happy to be working on this production with such a wonderfully talented ensemble cast and awesome crew. Bob has appeared most recently on the WCT stage as John Stapleton in “The Hound of the Baskerville’s” Other recent credits include, Floyd Spinner in “Love, Sex and the IRS”, Bobby Carlye in “Postmortem” and Buddy in “Follies” all at The Powerhouse Theater in New Canaan. Other favorite roles he has performed in locally are, The Leading Player in “Pippin” and Vittorio Vidal in “Sweet Charity” at The Wilton Playshop and Harold Hill in “The Music Man” at Stamford’s Curtain Call Theater.

Cindy Hartog – “Miss Poppenghul”
Cindy Hartog is thrilled to be back on the stage at WCT, where she is a long-standing board member. She was last seen in WCT’s “Rumors,”  ”Lend Me A Tenor,” and “Spider’s Web,” Eastbound’s “Brooklyn Boy,” and The Wilton Playshop’s “The Nerd.”  To WCT audiences, Cindy might be most famous for catering all the goodies for the opening night parties! Cindy is a graduate of The Institute of Culinary Education in NYC and classically trained in acting at The Royal Academy of Dramatic Arts in London, The Williamstown Theatre Festival, and NYC’s Neighborhood Playhouse. In addition, she has a Masters in Educational Theatre from New York University. Merging her roles as real life chef, actor, and teacher,  Cindy is the owner of Cindy’s Sous Chefs, a company which teaches both children and adults the art of cooking, always sprinkled with a bit of the dramatic!  Cindy truly feels lucky to finally work with such a gifted and artistic director as Jessica Denes, a trio of such polished, professional, and talented actors, and a capable and caring pair of Producer and Stage Manager!

Rick Waln – “Ben Hecht”
Rick Waln finds himself once again lured into the pursuit of thespian glory. It was nine years ago that he appeared after an eighteen-year hiatus right here at WCT in “A Funny Thing Happened on the Way to the Forum.” Be forewarned: at this rate he may be coming your way again in 2015. Global stardom has thus far eluded him, but the older of those among you may recognize his face from any of the two hundred commercials he has made both in Los Angeles and New York. Truly dedicated fans can find him in reruns of “M*A*S*H,” “Barney Miller ” and “Married: With Children.” Whoever said, “You can’t go home again” didn’t check with Rick. He’s back and having a grand time thanks to all involved with “Moonlight and Magnolias.” One can only hope that it’s as much fun to watch the show as it was to prepare it.

Jessica Denes – Director
Jessica is thrilled to be once again working on the Westport stage!  For WCT she directed last season’s production of “Mixed Couples,” one of WCT’s most acclaimed productions,“Master Class,” and “Veronica’s Room.” Last spring she brought the gripping and provocative “Orange Flower Water” to the ETC stage. She has also directed for Eastbound Theatre, Crystal Theatre Company, and several other area stages. She is a member of the WCT Administrative Board. Jessica Denes has appeared for WCT in “Orson’s Shadow” and “A Murder Is Announced” (among others); she has also performed with Town Players of New Canaan, Eastbound Theatre, Wilton Playshop, and Crystal Theatre Company.

Robyn Mortiboys – Production Stage Manager
This is Robyn’s first production at WCT. She has recently been PSM for “Blithe Spirit,” directed by Scott Brill, and the staged reading of “A Woman Called God,” written by David Canary and directed by Maureen Maloney, both at the Wilton Playshop. After “Moonlight and Magnolias,” Robyn will be production stage manager for “Mrs. Warren’s Profession,” directed by Larry Schneider at the Ridgefield Theatre Barn this November.

Cast of "Sabrina Fair"

The news today is all good news about our current production, Sabrina Fair – an absolutely charming play with memorable performances from actors who are cast to perfection! The audiences for the first weekend of performances gave the most amazing feedback – in a nutshell, they loved it. And the actors. And the set. And did we mention the play? Tom Rushen is applauded for his excellent directorial eye.

Make no mistake about it, this is what we call an “ensemble” play as no matter the size of the role, every performance is excellent. We’ll start in this posting with three of the principal characters. Actors are always challenged when assuming roles that are widely identified with famous celebrities – it is inevitable that an audience member will remember a favorite film. And we’re proud to say that WCT has overcome that challenge three times this season with our productions of Enter Laughing, Angel Street (“Gaslight”) and now Sabrina Fair.

For Sabrina Fair, the challenge is even greater as it means two films etched into memory over five decades – and a very successful Broadway run. The character of Sabrina Fairchild was beloved, made memorable in film by Audrey Hepburn in the 1950s and then again in the 1990s by Julia Ormond – and yet on Broadway it was Margaret Sullavan’s performance that brought the attention of the world to a new play destined to be a hit.

We are so, so lucky to have Debra Hanusick create this wonderful role in the Westport Community Theatre production – audiences this first weekend have absolutely fallen in love with her. To quote an overused phrase, she has “made it her own” – she is beguiling and sweet, feisty and smart, impetuous and patient, in-depth and frivolous – and absolutely charming. If for no other reason, everyone should see this production to see Debra’s wonderful performance in her WCT debut.

Sabrina Fairchild (Debra Hanusick) and Linus Larrabee (Jeff Pliskin) – sparks fly...

We are so pleased to have Jeff Pliskin return to WCT in the role of Linus Larrabee after a string of hit roles at Curtain Call Theatre in Stamford. His challenge was having no less than Humphrey Bogart and Harrison Ford precede him on film – and Jeff’s superb talent has brought Linus Larrabee to life so convincingly, so intelligently, so sophisticated, so debonair… Linus is a terribly complex role that requires the actor to assume a rich “inner life” and take the audience with him in this endearing story. Jeff has the audience from his first line to his last, and we heard audience members wishing there was more when the play ended. We  looked up the definition of “heartthrob”… and…

In this story there are two Larrabee brothers, Linus and David – and they are effectively polar opposites. David is somewhat of a ladies-man. He’s funny. Somewhat care-free. Maybe somewhat care-less… He’s sure of himself, in control and easily infatuated. We are very pleased to welcome Terry LaPolice to the WCT stage as David – an amazing actor who captures the heart and soul of David Larrabee, creating a different version of the character than William Holden or Greg Kinnear played. He shines in his scenes with Sabrina, goes head to head with Linus, is a sympathetic confidant of elder Larrabee family members – and is the epitome of the suave sophistication that the 1950s is so well known for. We looked up the definition of “playboy”… and…

Sabrina Fairchild (Debra Hanusick) and David Larrabee (Terry LaPolice) – a childhood crush is revisited...

There is much more to follow this week – as previously mentioned, this is a cast of 14 equally talented actors. Based on the reaction to this first weekend, we encourage you to make your reservations early – performances are Thursday, June 9 at 8:00 PM (great after-work outing!), Fridays and Saturdays June 10, 11, 17 and 18 at 8:00 PM, and matinees Sundays June 12 and 19 at 2:00 PM. WCT Box Office is (203) 226-1983.

The cast includes Michelle Blau, Jessica Denes, Andrea Garmun, Debra Hanusick, Terry LaPolice, Manny Lieberman, Andrew Morris, Sue O’Hara, Jeff Pliskin, Brendan Quinn, Tara Reuter, Catherine Samose, Nik Shpilberg and Fred Tisch.

Join us for a very special Gala Evening – “Cabaret 55” – celebrating Westport Community Theatre’s 55^th anniversary! “Cabaret 55” will be held Friday, May 20 at 7:00 PM at the Westport Woman’s Club, 44 Imperial Avenue.

Tickets are $35, and include desserts by Westport’s leading restaurants, bakeries and confectioners – plus a ticket to the opening of our final production of the 2010 / 2011 season, Sabrina Fair.

We’ve assembled some of your favorite WCT performers – Priscilla Squiers (Master Class), Fred Tisch (Angel Street), Rosanne Nelson (Mixed Couples), Kimberly Lowden (The Women), Ruth Anne Baumgartner (Angel Street), Rob Pawlikowski (The Front Page), Marguerite Foster (Orson’s Shadow), Randye Kaye (Broadway Bound), Jessie Gilbert (Don’t Drink the Water), Linda Gilmore (Ice Glen) David Victor (Mixed Couples), Vic Terenzio (Don’t Drink the Water), Larry Greeley (A Funny Thing Happened On The Way To The Forum), Joan Barere (The Best Man), John Fatteross (The Best Man) and others for a cabaret-style evening of songs and classic comedy sketches from the 1950s, the era when Westport Community Theatre first began! The evening will be hosted by Robert Watts as Emcee.

We promise no novelty songs (!), just a fabulous musical evening of classic standards, torch songs, and old favorites, with comedy sketches celebrating that marvelous 1950s era when radio gave way to a new-fangled development called television and launched the careers of Sid Caesar, Carl Reiner, Jackie Gleason, Neil Simon…

Music throughout the entire evening will be provided by Bob Lasprogato’s Uptown Jazz Combo – if you haven’t heard them before, get ready for a sweet evening of cool jazz and then some by some of Westport’s most popular musicians.

The format for the evening is Cabaret-style – in addition to the entertainment, we’ll provide desserts courtesy of Great Cakes, CakeSuite, The Wild Pear, Garelick and Herbs and Nothin’ But Premium Snack Bars, along with coffee, tea and bottled water. Guests are invited to bring supper or snacks; BYOB (sodas and wine only, please).

“Cabaret 55” is a true celebration of all things Westport and Westport Community Theatre’s 55 years of commitment to the community by providing outstanding theatre at affordable prices. We’ve partnered with local businesses to underwrite this fundraising event (including Fairfield County Bank and Mutual Security), and look forward to having you join us!

Space is limited, so we encourage you to make your reservation soon by phoning the Box Office at (203) 226-1983.

Director Jessica Denes (seated, left), cast and production staff of "Mixed Couples"

One of WCT’s favorite directors, Jessica Denes, has assembled some of Fairfield County’s most talented actors for her upcoming production of Mixed Couples, opening April 8. What makes this production special to Jessica is that she either performed with, or worked behind the scenes on the crew for, all five cast members – over 10 years ago, when she made her WCT debut in Agatha Christie’s A Murder is Announced, directed by Davina Porter.

Directing credits include one of WCT’s most memorable productions, Master Class, and Veronica’s Room. Last spring she brought the gripping and provocative Orange Flower Water to the ETC stage – audiences are still talking about this staged reading one year later. Directorial credits for Connecticut theaters include Love, Sex, and the I.R.S, The Secret Affairs of Mildred Wild, and Confessions of a Dirty Blonde at Eastbound Theatre; Summer Brave, Time & Time Again, The Other Side of Friendship, and Her Majesty Miss Jones for Crystal Theatre Company; and productions of Delicious Death & Other Desserts, Not Now Darling, and A Night of Shakespeare.

Directing is only one of Jessica’s accomplishments as she is also an extremely talented actress. WCT audiences were treated to great performances in the recent ETC staged reading of Collected Stories, in the memorable role of Joan Plowright in Orson’s Shadow, and in the aforementioned A Murder Is Announced. Jessica also has appeared in Cactus Flower as Toni Simmons at the Town Players of New Canaan; as Emily in Our Town at the Wilton Playshop; in Li’L Abner as Daisy Mae and as Bella in Lost in Yonkers at Crystal Theatre Company; and in “Boeing, Boeing” as Bertha at Eastbound Theatre. Jessica is a member of the WCT Administrative Board.

Mixed Couples – ready for opening night!

We thought everyone might like to take a look at some of the earliest steps – Ray has advised:

We have started repainting the set.

The stage and seats are well protected in this early stage of construction –

What you don't often see – the view "behind-the-flats"...

In case you don't recognize this, it's the staircase that leads from the dressing room to the theatre – an impromptu workbench!

Announces AUDITIONS for

Sabrina Fair

By Samuel Taylor

Directed by Tom Rushen

Auditions will be held on:

Monday, April 11 at 7:30 PM
Tuesday April 12 at 7:30 PM

Westport Community Theatre
Westport Town Hall, 110 Myrtle Avenue
Westport, CT

Cast from the film version of "Sabrina Fair"

Sabrina Fair is a modern Cinderella story. It is set on Long Island in the 1950s, and deals with the involvement of a very rich family named Larrabee with Sabrina Fairchild, the daughter of their family chauffeur. She is bright, well-educated, and has just returned from five years in Paris, where she has done a brilliant job as an executive in a U.S. government overseas office. She has come home to find out if she is still in love with the younger Larrabee son, David. The elder son, Linus, a cynical, good-humored tycoon who has taken control of the family fortune, detects Sabrina’s feeling for his brother, and for his own amusement lays a trap to bring them together. It works: David falls in love with Sabrina and wants to marry her. At the same time, a rich young Frenchman who has known Sabrina in Paris turns up and asks her to marry him. Faced with this dilemma, Sabrina discovers it is really Linus she wants. After an amusing scene in which Sabrina’s father, the chauffeur, makes a rather amazing revelation, Sabrina breaks down Linus’ resistance, and gets her man. An unusual number of fine character parts for actors: the beautiful mother of wit and perception; the father, whose one passion is attending funerals; the chauffeur who has been dabbling in the stock market and likes his job because it gives him time to read; the smart magazine editor who, as a house guest, is the interested observer.  Director’s note: Paul needs to speak with a French accent.  He and Sabrina also speak French.  Sabrina and Julia sing French songs, although Julia’s song is apparently a little off-color. Performance Dates are June 3rd – June 19th, 2011  at 8pm.

Characters: Auditions will consist of cold readings from the script. Familiarity with the play is suggested.     

Ladies:

Sabrina Fairchild (30): A beautiful, elegant young woman who has reinvented herself through her professional experience in Paris.  Now facing the life and the childhood crushes she left behind.  “…has fallen in love with the world and is having a passionate affair with it”

Maude Larrabee (58): Elegant and regal, she rules the family.

“A reigning beauty all her life…gives no sign of abdicating”

Julia Ward McKinlock (58): Maude’s best friend.  A magazine editor, she is a woman ahead of her time.  Witty, insightful and as blunt as she needs to be.“[a face] that shows intelligence and good humor and awareness.”

Gretchen Larrabee (30): David’s ex-wife who is now dating Linus. “…well-bred…knowing..tough.”

Margaret (Any Age): The family maid.

Young Woman 1& 2  (20): Partygoers.

Gents:

Linus Larrabee Jr.  (40): In charge of the family business.  Better at business than life or romance.   “…rugged-looking, and easy in his movements.”

David Larrabee (30): More carefree than Linus. “…easy good humor…sure control.”

Linus Larrabee (60+): Their father, a man of leisure who amuses himself by attending funerals. “….essentially a courtly and gracious man.”

Fairchild ( 60+): The Larrabees’ chauffeur.  Quiet, humble, but with his own dignity.  An avid reader.

Paul D’Argenson (30): A Parisian suitor of Sabrina’s.   “With his affability, the man has authority.”

Young Man 1 & 2  (20): Partygoers.

For further information please call the Westport Community Theatre  at (203) 226-1983 or contact the director at zenripple@yahoo.com – for directions please visit www.westportcommunitytheatre.com

Announces AUDITIONS for

“Mixed Couples”

By James Prideaux

Directed by Jessica Denes

Auditions will be held on:

Sun., February 13 & Monday, February 14th at 7:00 PM

Westport Community Theatre
Westport Town Hall – 110 Myrtle Avenue
Westport, CT

The time is 1927, the place an airplane hangar in New Jersey where two couples wait for the fog to lift so their chartered plane can fly them to Washington. Their meeting is quite by chance, but also ironic, as it develops that the four had switched partners twenty-five years earlier, and haven’t seen each other since. One couple has settled into suburban bliss, he a professor, she a housewife and mother; the other couple are Park Avenue types, he a rich, hard-driving businessman, and his wife (after all these years) still an aspiring actress. Cautious and civil at first, their conversation turns gradually bitchier (and funnier) as time hangs heavy, bootleg liquor flows, and old enmities are revived. As their veneers crumble, it is clear that neither couple has benefited as much as they had expected from their marital switch, and that beneath their pretense lies aridity, although tempered by the witty hijinks they go through to convince themselves (and us) that all’s well in their reordered worlds. Performance Dates are April 8 – April 24, 2011 at 8:00 PM.

Auditions will consist of cold readings from the script. Familiarity with the play is suggested. “There are two (no let’s be totally fair to the men, four) razzle dazzle performances in James Prideaux’s new play MIXED COUPLES…” —NY Post.

Characters:

Alden: (40s) A bit bookish and seemingly unemotional. Alden’s discontent with life speaks volumes in what he does not say or outwardly expresses. Married to Elberta.

Elberta: (40s) A dutiful, charming wife and mother. She is kind and proper and much too smart to see this as a failing or to etch this final image in stone. Elberta is full of emotions but is always in control of them. Married to Alden.

Don: (40s) A well heeled business type. Self confident and slick. Does have his moments of anger and annoyance, but remains loyal to his marriage and lifestyle. Married to Clarice.

Clarice: (40s)  A shallow, half-baked starlet whose contrived, dramatic antics are her only real claims to fame. Still a sexpot and can lay on the flirtatious allure with ease. Clarice enjoys stirring up trouble. Married to Don.

Pilot: (Any age) He is a bit nervous about having people, especially women, in the pilots’ room. As the night and the antics go on he is more than ready to get the passengers in the air.

Perusal Scripts available upon request; contact the director at jessicadenes1@yahoo.com

For further information, please call Westport Community Theatre at (203) 226-1983 or contact the director at jessicadenes1@yahoo.com

"Mauritius" at Westport Community Theatre runs February 11 – 27

Here’s a first look at WCT’s upcoming play “Mauritius” – lots more to come in the weeks ahead:

Clever, taut, entertaining, intriguing, disturbing… “Mauritius” is a finely crafted evening of puzzling intrigues, simmering vendettas, duplicitous lies, lying deceits, unexpected twists, family complexities, information and disinformation – all revolving around half-sisters, philatelists, and con artists vying for possession of a rare stamp. Drama, comedy and thriller in one, “Mauritius” is a tightly woven tale, “caper-style.” What you need to know is that the island of Mauritius, in the Indian Ocean off the coast of Madagascar, is famous for two of the rarest stamps in the world – “Post Office’ Penny Orange and Twopence Blue” – and that money, love and family can ultimately be the catalyst to people behaving very badly. Who knew stamp collecting could be a deadly hobby… The play was a smash hit when it opened on Broadway in 2007, and Westport Community Theatre is very pleased to present the first full production in lower Fairfield county.

Directed by Lynne Bolton, “Mauritius” features memorable performances by a stellar cast that includes Ammie Brown, Will Jeffries, Robyn Maitland, Bobby Pavia and Tom Petrone. Tickets are $14 – $20; for reservations and information contact the Box Office at (203) 226-1983.

Fridays and Saturdays February 11, 12, 18, 19, 25 and 26 at 8:00 PM

Thursday February 17 at 8:00 PM

Sundays February 13, 20 and 27 at 2:00 PM